SATB Music Selections

Capturing the importance of the Eloise Greenfield poem and the dramatic story of Harriet Tubman's life, this original work also includes the spirituals If I Got My Ticket and Go

This piece speaks of new beginnings and the hope that accompanies them. Perfect for any graduation or celebration of moving on, or as a tribute to a departing friend, the sensitive part-writing and

Here is a new song in a concert pop style that celebrates the spirit to "fight for the right to be me." The chorus proclaims "I will fly, I will soar, I'll be free." Led by an affirming solo with intuitive

This is a rhythmic, contemporary gospel-style anthem featuring the words of Maya Angelou, charging all of us to take responsibility for making our communities safe, supportive, and just. Reinforced by a

This is the stand-alone third movement from the powerful suite You Are Enough, which hopes to open conversations about mental health. With a modern musical-theater quality, it expresses its

This three-movement suite for tenor-bass choirs is intended to elevate conversations regarding mental health. The composer brings his sense of the dramatic to this powerful score. The first movement,

A fiery text by Robert Bode, an optional descant piano, and a fierce musical setting are the ingredients for this memorable tour de force for your choir.

Created to be sung in the original Xhosa language, this traditional South African folk song has been authentically arranged by the director of the Pretoria Youth Choir. An IPA pronunciation guide along with

Robert Bode's text infuses this original song with a message of music advocacy and appreciation. The rhythmic piano accompaniment sets up a nice groove in the compound meter for the choral parts to stretch

Drawing on the musical themes from the American folk song Boneparte's Retreat, this arrangement is upbeat and rhythmic. A fiddle melody is incorporated into the one-piano four-hands accompaniment

Deeply expressive, an old poem is treated with rich harmonies to become a moving closer for concerts or festivals. Written with an ear to the a cappella glee club tradition, the incorporation of Dvorak's

An animated, lilting, and dramatic a cappella work, this choral tour de force briefly quotes the hymn Praise to the Lord the Almighty in a fresh and innovative way. It is a truly impressive work